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Alexandre Cabanel
The Birth of Venus (mk39)
1863
Oil on canvas
51 3/16x88 1/2in
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Alexandre Cabanel
The Birth of Venus
mk53
1863
oil on canvas
130x225cm
Paris,Musee d Orsay
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Alexandre Cabanel
La Naissance de Venus
mk62
Salon de 1863
Huile sur toile
130x225cm
Paris,musee d'Orsay
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Alexandre Cabanel
Birth of Venus
mk68
oil on canvas
Paris,Orsay Museum
1865
France
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Alexandre Cabanel
Recreation by our Gallery
mk79
1860
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Alexandre Cabanel
Cleopatra Testing Poison on Those Condemned to Die.
1887. Oil on canvas. 64 x 113 in. (165 x 290 cm). Private collection. Bridgeman Art Library.
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Alexandre Cabanel
Cleopatra testing poisons on condemned prisoners
Oil on canvas, Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium
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Alexandre Cabanel
Albayde
Technique Oil on canvas
Dimensions 98 ?? 80 cm
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Alexandre Cabanel
Ophelia
Technique Oil on canvas
Dimensions 77 ?? 117.5 cm
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Alexandre Cabanel
Nymphe et Saty
Title Francais : Nymphe et Satyre Current location English: Private Collection
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Alexandre Cabanel
Cleopatre essayant des poisons sur des condamnes a mort
Date 1887
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Alexandre Cabanel
Ophelia
1883(1883)
Oil on canvas
77 x 117.5 cm (30.31 x 46.26 in)
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Alexandre Cabanel
Albayde
1848(1848)
Oil on canvas
98 x 80 cm (38.58 x 31.5 in)
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Alexandre Cabanel
Olivia Peyton Murray Cutting
1887
Oil on canvas
276 X 149 cm
cjr
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Alexandre Cabanel
Olivia Peyton Murray Cutting
Date 1887
Medium Oil on canvas
Dimensions 276 ?? 149 cm
cyf
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Alexandre Cabanel
Fallen Angel
Oil on Canvas
Date 1868
cjr
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Alexandre Cabanel
Nymphe et Satyre
Date 1860(1860)
Current location English: Private Collection
TTD
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Alexandre Cabanel
The Daughter of Jephthah
1879, Oil on canvas
cjr
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Alexandre Cabanel
Cleopatra Testing Poisons on Condemned Prisoners
oil on canvas
Dimensions 87.6 cm x 148 cm
cyf
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Alexandre Cabanel
Der Tod von Francesca da Rimini und Paolo Malatesta
Date c. 1870
TTD
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| Alexandre Cabanel
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French Academic Painter, 1823-1889
French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Franeois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Leon B?nouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel's Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852.
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